Expandable List
McWeeny, S., Trainor, L. J., Armstrong, S., Bosnyak, D., Tawfik, H., & Bruce, I. C. (2025). Evaluating a Hearing Loop Implementation for Live Orchestral Music. Ear and Hearing, 46(3), 808-816. https://doi.org/10.1097/AUD.0000000000001626
Pazdera, J. K., & Trainor, L. J. (2025). Pitch biases sensorimotor synchronization to auditory rhythms. Scientific Reports, 15(1), 17012. https://doi.org/10.1038/s41598-025-00827-4
Saxena, S., Visram, A., Lobo, N., Mirza, Z., Khan, M., Pirabaharan, B., Nguyen, A., & Fink, L. K. (2025). SocialEyes: Scaling Mobile Eye-tracking to Multi-person Social Settings. Proceedings of the 2025 CHI Conference on Human Factors in Computing Systems, 1–19. https://doi.org/10.1145/3706598.3713910
Damsma, A., Cannon, J., Fink, L., Doelling, K., Grahn, J., Honing, J., Kaplan, T., Large, E., & Bouwer, F. (2025). Computational modeling of rhythmic expectations: Perspectives, Pitfalls, and Prospects. PLoS Computational Biology 21(12), e1013798. https://doi.org/10.1371/journal.pcbi.1013798
Cui, M.E., Verno-Lavigne, E., Saxena, S., Fink, L., Herrmann, B. (2025). Mobile eye-tracking glasses capture ocular and head markers of listening effort. JASA Express Letters 5, 125202. https://doi.org/10.1121/10.0041807
, , & (2024). Cortical oscillations are modified by expertise in dance and music: Evidence from live dance audience. European Journal of Neuroscience, 1–15. https://doi.org/10.1111/ejn.16525
McWeeny, S., Luoma, A. C., Al-Saleem, Y., & Trainor, L. J. (2024). Synchronous and anti-phase drumming elicit similar prosocial behavior ratings. Frontiers in Cognition, 3, 1472814. https://doi.org/10.3389/fcogn.2024.147281
Carrillo, C., Chang, A., Armstrong, H., Cairney, J., McAuley, J. D., & Trainor, L. J. (2024). Auditory rhythm facilitates perception and action in children at risk for developmental coordination disorder. Scientific Reports, 14(1), 12203. https://doi.org/10.1038/s41598-024-62322-6
Kragness, H. E., Eitel, M. J., Anantharajan, F., Gaudette-Leblanc, A., Berezowska, B., & Cirelli, L. K. (2023). An itsy bitsy audience: Live performance facilitates infants’ attention and heart rate synchronization. Psychology of Aesthetics, Creativity, and the Arts. Advance online publication. https://doi.org/10.1037/aca0000597
Cameron, D. J., Dotov, D., Flaten, E., Bosnyak, D., Hove, M. J., & Trainor, L. J. (2022). Undetectable very-low frequency sound increases dancing at a live concert. Current Biology, 32(21), R1222-R1223. https://doi.org/10.1016/j.cub.2022.09.035
, , , , , , & (2022). Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together. Annals of the New York Academy of Science., 00, 1– 8. https://doi.org/10.1111/nyas.14858
Brown, S. (2022). The Unification of the Arts: A Framework for Understanding What the Arts Share and Why. Oxford University Press.
Román-Caballero, R., Vadillo, M. A., Trainor, L., & Lupiáñez, J. (2021). Please don’t stop the music: A meta-analysis of the benefits of learning to play an instrument on cognitive and academic skills. doi:10.31234/osf.io/4bm8v
**Chen, Y, Lewis, T, Shore, D, and Maurer, D (2017). Reduced tactile modulation of visual event perception during development. International Multisensory Research Forum
Eggermont, JJ and Roberts, LE (2012). Ringing ears: the neuroscience of tinnitus. Frontiers Research Topic eBook,
Desjardins, RN, Trainor, LJ, Hevenor, SJ, and Polak, CP (1999). Using mismatch negativity to measure auditory temporal resolution thresholds. Neuroreport, 10(10), 2079-82. doi:10.1097/00001756-199907130-00016 | Full text PDF
Renwick, W (1991). Structural patterns in fugue subjects and fugal fxpositions. Music Theory Spectrum, 13(2), 197-218. doi:10.2307/745898
Trainor, LJ and Trehub, SE (1989). Aging and auditory temporal sequencing: Ordering the elements of repeating tone patterns. Percept Psychophys, 45(5), 417-26. doi:10.3758/BF03210715 | Full text PDF
Renwick, W (1988). Brackets and Beams in Schenker’s Graphic Notation. Theoria: Historical Aspects of Music Theory, 3, 73-85. Info
Renwick, W (1985). Modal structure and formal design in Iso Chidori. Hogaku, 2(1), 21-63
