January 2015 MIMM Journal Club

At our first meeting in the new year, Michael Schutz’s graduate student, Fiona Manning, will lead a discussion on the article by Zamm et al. 2014 entitled “Temporal coordination in joint music performance: effects of endogenous rhythms and auditory feedback”. Abstract listed below.

Many behaviors require that individuals coordinate the timing of their actions with others. The current study investigated the role of two factors in temporal coordination of joint music performance: differences in partners’ spontaneous (uncued) rate and auditory feedback generated by oneself and one’s partner. Pianists performed melodies independently (in a Solo condition), and with a partner (in a duet condition), either at the same time as a partner (Unison), or at a temporal offset (Round), such that pianists heard their partner produce a serially shifted copy of their own sequence. Access to self-produced auditory information during duet performance was manipulated as well: Performers heard either full auditory feedback (Full), or only feedback from their partner (Other). Larger differences in partners’ spontaneous rates of Solo performances were associated with larger asynchronies (less effective synchronization) during duet performance. Auditory feedback also influenced temporal coordination of duet performance: Pianists were more coordinated (smaller tone onset asynchronies and more mutual adaptation) during duet performances when self-generated auditory feedback aligned with partner-generated feedback (Unison) than when it did not (Round). Removal of self-feedback disrupted coordination (larger tone onset asynchronies) during Round performances only. Together, findings suggest that differences in partners’ spontaneous rates of Solo performances, as well as differences in self- and partner-generated auditory feedback, influence temporal coordination of joint sensorimotor behaviors.